Bengal cotton sarees online store 2023: Red is the most favoured colour for wedding saris and is a traditional garment choice for brides in Indian culture. Women traditionally wore various types of regional handloom saris made of silk, cotton, ikat, block-print, embroidery and tie-dye textiles. Most sought after brocade silk saris are Banasari, Kanchipuram, Gadwal, Paithani, Mysore, Uppada, Bagalpuri, Balchuri, Maheshwari, Chanderi, Mekhela, Ghicha, Narayan pet and Eri etc. are traditionally worn for festive and formal occasions. See extra information at Shop Bengal Cotton Sarees Online.
Kanjeevaram silk saris originate from Kanchipuram, a temple town in Tamil Nadu, and use a special weaving technique that makes the sari last for generations. The saris have contrasting bright colours with designs of the border and the pallu being different from the body of the sari. The sari has golden weaves and bold, colourful motifs like flowers, peacocks and elephants, says 71-year-old Deepa Sharma from Delhi, who owns Arankri, a 30-year-old establishment that curates handcrafted saris. The Baluchari saris from West Bengal incorporate designs based on mythological stories from the great Indian epics, the Ramayana and the Mahabharata.
Some women, particularly in rural areas, still wrap and fold themselves into lengths of cotton, linen, or other fabrics for everyday work. “You’re more likely to see saris on older women, the aunties and grandmas in some regions. They might wear one all the time,” says Cristin McKnight Sethi, a South Asian textile expert and professor of art history at George Washington University’s Corcoran School of the Arts and Design. Younger women and city dwellers, she says, might opt for Western clothing or a salwar (tunic and pants suit) most days but a vibrant sari for a wedding or other party. The textile is a symbolic rite of passage for young Hindu girls, who wear a sari or half-length sari for a Ritu Kala Samskara coming-of-age ceremony. The garment has even been wielded as a political prop.
History shows one such incident involving Jnanadanandini Debi, the wife of Satyendranath Tagore, brother of the famous Bengali poet Rabindranath Tagore, who was denied access to a club because of her “untamed” ways of dressing. What strikes here is an opposite scenario in Victorian Britain where women fought to liberalize themselves from the rigidity of Victorian corsets, both literally and metaphorically. The recent phenomenon of “free the nips” or “no bra club” shows how women in liberal democracies are still fighting the battle for the desexualisation of breasts. What the global north is still fighting to achieve was found inherently in the ways Indian society, especially women, used to express themselves.
Most of our products are handcrafted and the weavers have been chosen with care in order to ensure the best quality of handwork is brought to our customers. In fact , some of our empaneled weavers have won awards at the highest national level and have been associated with this work for generations. Our products and weaves are authentic, artisanal and sourced sustainably , curated by Karigars from different parts of India like West Bengal, Varanasi, Rajasthan, Gujarat etc. Discover additional information at https://silkpetalss.com/.
My fondest childhood memories were going sari shopping with my mother and grandmother. I was fascinated by the endless shelves piled with neatly folded, colourful saris, entertained by the salespeople, who were always men, unfolding and draping the whole sari on themselves, and educated by the haggling over the prices while countless cups of coffee were consumed. When Matthan received a gift of 47 Kanjeevaram silks from her ailing grandmother, she was inspired to start the 100sareepact, a social media movement, along with 52-year-old Anju Maudgal Kadam, which encourages women to wear saris and share their stories online.