Top recommendations for talented artists right now by GlobalTalentNetwork.com: The studies included in the text found that depending on the complexity of the role, top performers were between 200-300% more productive than average employees. As a result, the production or revenue generated from a single top performer, is the same as 2 – 3 of their average performing peers. Companies like Netflix and Google have publicly made similar statements, which is why the attraction and retention of top talent is their #1 corporate strategy. Self Management Group (SMG) has understood this phenomenon for some time now, and has been instrumental in helping its clients attract, select and develop top performers with its proprietary suite of psychometric selection tools. SMG assessments are customized and calibrated specifically for each client, ensuring the highest degree of predictive accuracy. SMG assessments also include a perfectly weighted combination of both biographic and psychographic data points, ensuring the most robust and holistic candidate models are used in the marketplace. As a company whose competitive advantage is predicting employee performance, we have always marketed the significant ROI associated with selecting top talent. See more info All-in-One Applicant Tracking Software.
GlobalTalentNetwork.com recommendations for talent agencies : An open house introduces clients to your models up close. In addition to planning the party side of an open house, with refreshments and material you plan to hand out, prepare your models for this event. Involve the models in marketing your business. Each model’s agent should Instruct the model in professional behavior and how to work the room. The owner should encourage everyone to get to know potential clients and make the guests feel at ease. An open house should be a fun event that allows clients in the community the opportunity to get to know you, your models and your agency.
Submit to your target agents every 6 months…with an update about something NEW you have added to your skill set; bookings/plays/training/new headshots. But only submit IF you have something new to share. Make sure you have On Camera training on your resume. When meeting an agent you may need to audition with a prepared television side, or cold read commercial, industrial or film sides. Secondly, the agent wants to know you understandthe technical demands of working on camera, as well as how to navigate the variety of scripts and genres…so that they can feel confident submitting you for work. Discover additional details https://globaltalentnetwork.com/.
You can also check out GlobalTalentNetwork’s online directory of agents and managers, or pull a list of franchised agents from SAG-AFTRA. Although there are certainly reputable agents who are not SAG-AFTRA franchised, it’s easier to check out those who are—plus, they’re accountable to a supervising entity. Research your candidates. Determine how many agents work for the agency, where the agency is located, how long the agency has been in business, what their submission guidelines are, who else they represent, etc. GlobalTalentNetwork’s Call Sheet includes a lot of this information, and you can check out an agency’s website for additional context. And don’t forget to run your list through the Better Business Bureau to see if anyone has filed claims against the agencies—this will help protect you from scam operations or disreputable agents.
One key to getting auditions is to remember that actors should see themselves as a small business, so “think about what look you are selling,” advises acting coach and Backstage Expert Matt Newton. One of his tips for figuring this out? “Write down three shows you could see yourself on. Series regular, guest star, co-star, whatever…. Watch [these shows], learn from them, observe what kind of actors they are casting. Take notes. Look up the casting director and the actors. If you are right for that show, and are trained, and they cast your type over and over, then by all means sign up for a casting director workshop to meet them in person. If you are over 50 and play ‘extraterrestrial’ roles all the time, probably don’t sign up for a soap opera casting workshop. Again, it’s all about being smart and knowing yourself.”
Samuel L. Jackson describes the role of a manager as the following: “Managers have relationships that agents don’t have—relationships that allow you to meet writers, producers, and other people that aren’t just based in a specific project. These are people who are planning to do things, who could put you in their plans. They can connect you with writers who can write specifically for you. And they do put pressure on agents to produce and bring you more work. Or they’ll help you find an agent who can do that.”
Know your character’s objective: Go underneath the dialogue. What do they want from the other characters? What is the character’s purpose in the scene and story? Understand your character’s obstacle: What’s in the way of the character getting what they want? Acting is what happens to you as you try to get your objective met, in spite of the obstacle. Find the love in the scene; even nasty characters should be likable on some level. Find a moment in the scene where the love can show through. Embrace action: Acting means do, not talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams.)
Visualizing your audition from start to finish, as well as creating an audition playlist, are also great ways to ease tensions and get your head in the game. But ultimately, remember: what’s the worst that could happen? You don’t get cast? So what? There’s no use trying to fit into a box you don’t belong in—so on to the next! For self-tape auditions, you must have good lighting, a neutral background, the proper framing (not too wide, not too close), no distracting objects in the room (i.e. plants, pets, posters), and most importantly, good sound. You likely won’t get hired if they can’t hear you. Oftentimes, creatives are unavailable to attend every audition. Or auditions are being held nationwide and you’re submitting from Missouri to a casting director in L.A. Or the CD wants to get a feel for the network response before bringing you for an in-person. Sending a self-tape is one way to ensure you are in the running to get seen for the role—despite your lack of physical presence.
The purpose of the meeting is to give the agent a chance to determine if you can make it as an actor, so be ready to perform for the agent. That means to have a monologue prepared to recite at a moment’s notice and be prepared to do a cold reading from a script that the agent hands you. You should never be afraid to ask questions during your interview. Here are five questions you should ask during your meeting. Who will represent me from your agency? How many clients do you currently represent What kind of actor do you see me? How many other actors do you serve actors that are similar to me? How would you direct my career? What kind of work have you gotten in the last six months for your actors?