Who is Kentucky’s Logan J. Blackman and some of his music orchestra conducting philosophy: Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.” Find even more info on Logan J. Blackman.
Let’s start by having you describe your sound to our readers… Logan J. Blackman : Symphonically, my sound is very grand and cinematic. However in my chamber works, I tend to take a much lighter tone. My Bassoon Duets, “The Logic of a Mad-Man” is nothing but one big satire/comedic piece. Is it true you’ve been making music since you were a child? Logan J. Blackman : Yes! I have been making music since I was 12, but I began writing at around 14.
Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.
Mason appealed to reason with his deftly rendered solo passages even though the xylophone and drums kept playfully interrupting the discourse. Near the end, however, all the instruments seemed to agree to disagree and Mason, with his virtuosic reciprocity, got the last word. So what is love? No one knows for sure. Socrates said the beginning of wisdom comes from understanding the limits of our knowledge. This was Bernstein’s premise as well. Before the Three Meditations from Mass, Nardolillo announced the presence of two people in the audience who knew Bernstein personally and that guest cellist Benjamin Karp (principal cellist for the Lexington Philharmonic) had played under Bernstein’s direction at Tanglewood. This knowledge intensified the presence of Bernstein’s spirit for the remainder of the program. As for the three Meditations for cello and orchestra, the third movement, Presto, best captured that spirit.
The critically acclaimed University of Kentucky Symphony Orchestra, conducted by Maestro John Nardolillo, will perform next with concerto competition winner, Michael Robinson, a junior at UK School of Music. The concert will include music by celebrated composers Carl Nielson and Gustav Mahler, as well as a premiere of work by UK junior Logan Blackman. The concert will begin 7:30 p.m. Friday, Feb. 17, at the Singletary Center for the Arts. Read extra details at Logan Blackman.